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The Sun Also Rises is the first novel by the American writer Ernest Hemingway, following his experimental novel-in-fragments In Our Time (short story collection) (1925). It portrays American and British expatriates who travel from Paris to the Festival of San Fermín in Pamplona and watch the running of the bulls and the bullfights. An early modernist novel, it received mixed reviews upon publication. Hemingway biographer Jeffrey Meyers writes that it is now "recognized as Hemingway's greatest work," and Hemingway scholar Linda Wagner-Martin calls it his most important novel. The novel was published in the United States in October 1926, by Scribner's. A year later, Jonathan Cape published the novel in London under the title Fiesta. It remains in print.
The novel is a roman à clef: the characters are based on people in Hemingway's circle and the action is based on events, particularly Hemingway's life in Paris in the 1920s and a trip to Spain in 1925 for the Pamplona festival and fishing in the Pyrenees. Hemingway converted to Catholicism as he wrote the novel, and Jeffrey Herlihy-Mera notes that protagonist Jake Barnes, a Catholic, was "a vehicle for Hemingway to rehearse his own conversion, testing the emotions that would accompany one of the most important acts of his life." Hemingway presents his notion that the "Lost Generation"—considered to have been decadent, dissolute and irretrievably damaged by World War I—was in fact resilient and strong. Hemingway investigates the themes of love and death, the revivifying power of nature, and the concept of masculinity. His spare writing style, combined with his restrained use of description to convey characterizations and action, demonstrates his "Iceberg Theory" of writing.